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- #Download serum for osx mac os x#
- #Download serum for osx mod#
- #Download serum for osx software#
- #Download serum for osx professional#
#Download serum for osx software#
VST2.4, AU or AAX compatible host software
#Download serum for osx mac os x#
Windows 7 SP1, or Mac OS X 10.6 or greater This synthesiser is perfect for Dubstep, Future Bass, Trap, EDM producers.
#Download serum for osx professional#
A thousands of fresh professional presets (sorted by genre and instrument type) and a lot of wavetables you can find on. Serum comes with over 450 presets and 144 wavetables.
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This is a must-have instrument for the serious sound designer! Serum presets For this there is a special version of Serum – SerumFX, These effects also can be used to process sound outside the synthesizer. Effects can be dragged and dropped in any order, though parallel processing is only available through the use of each module dry/wet control. Serum has an effects section which includes 10 effects: Chorus, Delay, Hyper/Dimension, Compressor, Distortion, Flanger, Phaser, Reverb, EQ and Filter. You’re able to place any filter across the whole synth’s output as the filter collection is mirrored in the effects rack for convenience. Get creative with atypical processes for filters such as downsampling, or the unique filter types found nowhere before, such as the dirty-sounding French LPF. Phasers, Flangers, and Comb filters all of which can key-track to the musical note you play.
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This synthesiser includes all of the filter types found in LFOTool in addition to some brand-new ones. This allows for FM/AM/RM/Oscillator Sync and many other ways to modify the waveform. Serum give you the ability to manipulate the waveform itself in a separate realtime process referred to as Warp. Want an LFO controlling a filter cutoff? Simply drag the LFO title to the cutoff knob.
#Download serum for osx mod#
The modulation system is handled by an intuitive drag-and-drop system, similar to that of Massive, but with a 32-slot mod matrix letting you see everything in one place, and advanced features. Artifacts mean that you are (perhaps unknowingly) crowding your mix with unwanted tones / frequencies. Many popular wavetable synthesizers are astonishingly bad at suppressing artifacts. Serum’s ultra-clean oscillators guarantee playback of wavetables without any artifacts. Morph between various wavetables using standard linear interpolation (crossfading) or via harmonic/spectral morphing. You also have a large variety of ways to warp the wavetables, including even FM synthesis with the other oscillator, ring modulating them, or more standard warping features. From there, you can edit the wavetable morphing in many different ways. You can draw your waveforms, or you can import any audio file. You are not limited to a factory wave set. The wavetable creation features in Serum are phenomenal. You can create / edit / import / morph wavetables, and manipulate these on playback in real-time. Its visual and creative workflow-oriented interface to make creating and altering sounds easy and fun instead of tiresome. Load up Serum and we think you’ll be able to notice both what you hear (solid high frequencies, extending flat all the way up to the limits of hearing) as well as what you don’t hear (no unwanted mud or aliasing gibberish- just good, clean sound).After 3 years in development, Xfer Records has at last released its eagerly awaited wavetable synthesiser SERUM, and, thanks to its truly high-quality sound, it quickly gained popularity among the vast majority of electronic musicians. In Serum, the native-mode (default) playback of oscillators operates with an ultra high-precision resampling, yielding an astonishingly inaudible signal-to-noise (for instance, -150 dB on a sawtooth played at 1 Khz at 44100)! This requires a lot of calculations, so Serum’s oscillator playback has been aggressively optimized using SSE2 instructions to allow for this high-quality playback without taxing your CPU any more than the typical (decent quality) soft synth already does. Many popular wavetable synthesizers are astonishingly bad at suppressing artifacts - even on a high-quality setting some create artifacts as high as -36 dB to -60 dB (level difference between fundamental on artifacts) which is well audible, and furthermore often dampening the highest wanted audible frequencies in the process, to try and suppress this unwanted sound. Without considerable care and a whole lot of number crunching, this process will create audible artifacts. Playback of wavetables requires digital resampling to play different frequencies.